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Looking for tips and tricks to the art of writing for television? Welcome to the blog of experienced television writer Jane Espenson. Check it out regularly to learn about spec scripts, writing dos and don'ts, and what Jane had for lunch! (RSS: )
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Home » Archives » February 2006 » Funny = Sticky. Sticky = Funny
[Previous entry: "A Trick"] [Next entry: "I Googled Goggles!"]
02/24/2006: Funny = Sticky. Sticky = Funny
What show do you think this exchange came from?
Coroner: I have to go take care of the guy with the javelin in his chest. Cop (shuddering): Why'd you get into this line of work in the first place? Coroner (deadpan): Free javelins.
Answer: Law and Order.
I probably got the words a little wrong, but I know I'm not far off. I know, because the joke made me laugh. Laughter is one of those visceral responces that help cement memories into place. Do you remember strangely specific jokes from sitcoms you watched when you were a kid? Well, then.
The lesson here is that even if you're writing a spec for a notoriously humorless show, like L&O, it will serve you well to look for a funny moment or two. If the show you're specing EVER does comedy, EVER, then you have the total right to put it in your spec.
The specs that were submitted to Joss when I was trying to get onto Buffy included an NYPD Blue spec. The first thing he said to me about my writing was to compliment a joke from the spec. Not a tense moment or a bit of action or a reveal, but a joke. Jokes stick.
Usually, in a cop show spec, you will have a serious A story, balanced with a funny B story or runner of some kind. Spend a lot of time on the funny bits. They may very well be the thing that gets your script noticed. B stories are sometimes neglected by the writer, since they take up less acreage, but they are the spice that makes the dish.
Lunch: Chicken in Mole sauce (is that redundant?) The Mole was sweeter than I've usually encountered. Can't say I'm against it.
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