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Looking for tips and tricks to the art of writing for television? Welcome to the blog of experienced television writer Jane Espenson. Check it out regularly to learn about spec scripts, writing dos and don'ts, and what Jane had for lunch! (RSS: )
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Home » Archives » April 2007 » Long Tall Funny
[Previous entry: "Speaking Irrelevance to Power"] [Next entry: "Usually it's not, in fact, a glass of water"]
04/11/2007: Long Tall Funny
Generally, it's a good rule of thumb that shorter jokes are better. But every now and then it's the length and complexity of the joke that makes it work.
When I worked on Ellen we did a bit once where she was stuck at the top of a rock-climbing wall in a gym. She yells down instructions to her friend. The line was something like this:
ELLEN Okay. I need you to find out where the manager is, then I need you to go to his office, and ask him to please turn off the gravity.
You may disagree, but I contend that this is funnier than simply:
ELLEN Turn off the gravity!
For me, this line is funny because she's presenting it as if it were rational, and the hyper-rational beginning is what achieves that. Here is another joke from Ellen that relies on its sincere and elaborate set up. The line was delivered by Karen, Ellen's girlfriend's ex-girlfriend (take a moment to figure it out) who is trying to intimidate Ellen by implying she had a better relationship with Laurie, the girlfriend, than Ellen does. The line was approximately:
KAREN I remember once I came home to find that Laurie had filled the place with candles, and there was a note that said, "Every one of these flames will eventually burn out, except the one in my heart." And then we did it.
The sincere build-up makes the crudity hit all the harder. So don't panic if some of your jokes look a little long. You might be using something like this to your advantage!
Lunch: iceberg salad with chicken. I love warm chicken in a salad.
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