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Looking for tips and tricks to the art of writing for television? Welcome to the blog of experienced television writer Jane Espenson. Check it out regularly to learn about spec scripts, writing dos and don'ts, and what Jane had for lunch! (RSS: )
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Home » Archives » April 2007 » It stands for Experimental Prototype Community of Tomorrow
[Previous entry: "That's Right. I Said Dog-Fondling."] [Next entry: "She also said, "...don't tell that to the dry foliage". Fantastic!"]
04/27/2007: It stands for Experimental Prototype Community of Tomorrow
In response to a recent question about where to acquire produced scripts for The Office, an observant friend-of-the-blog directs us to dailyscript.com, where I understand you can actually have scripts emailed to you in the pdf format. Oh, technology today. It's like we're all living at EPCOT.
Once you have a few produced examples, you can start examining them minutely. I mean, really minutely. If I were sitting down to write a spec Office, I think the first thing I would do is try to figure out how the show balances the Michael Scott stories against the Jim-and-Pam stories. Is one more likely than the other to drive events, to result in act-break moments? Do they always comment on each other? Influence each other? Which character is more likely to undergo change during the episode? Is Michael really the lead character, or is it Jim-and-Pam? I would want to go through every script and every logline until I understood the typical skeleton of the typical episode. Only then would I start trying to find stories that fit together, that grow out of the show's genetic material, but which also strike a little deeper than just an average ep.
Then get some 30 Rock scripts. Repeat.
Lunch: veggie dumplings, stuffed eggplant and some sort of lovely chicken dish at City Wok, a restaurant right here in the shadow of Universal Studios "City Walk" attraction. Clever and yummy!
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