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Looking for tips and tricks to the art of writing for television? Welcome to the blog of experienced television writer Jane Espenson. Check it out regularly to learn about spec scripts, writing dos and don'ts, and what Jane had for lunch! (RSS:  )
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Home » Archives » March 2008 » Leaving the Zinger Unzinged
[Previous entry: "Metaphorical Stove Architecture"] [Next entry: "Fortuidipitous"]
03/02/2008: Leaving the Zinger Unzinged
Here's an exchange I just heard today on an episode of The Wire. It went something like this:
A GUY I got a little problem.
OTHER GUY Not uncommon in a man your age.
Fantastic, right? Funny without being unrealistic. But what's the next line? It's tempting to feel that the next line has to be a topper, or at least a "very funny" or "f--- you" sort of acknowledgement of the joke. But that isn't what happened. Instead, the first guy acknowledged the joke with a sort of wry grimace and went on to outline what he actually needed from the other guy. And, I swear, the joke was funnier for it, and the scene retained a sense of urgency that might've been lost behind a whole string of jokes.
Jokes breed jokes. You want a little comedic head-piece to a scene, and it's easy to end up with a whole joke run, just because you feel like everyone has to keep responding and one-upping. Great for a sitcom, but if you're in a drama, consider letting a joke line just stand alone.
Lunch: Vienna sausages, canned oysters, "spicy thai" potato chips, strawberries and a variety of candies
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