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Looking for tips and tricks to the art of writing for television? Welcome to the blog of experienced television writer Jane Espenson. Check it out regularly to learn about spec scripts, writing dos and don'ts, and what Jane had for lunch! (RSS: )
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Home » Archives » September 2008 » Speculations
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09/22/2008: Speculations
I haven't been to the mail bag for a while, Gentle Readers, for a number of reasons that have to do mostly with the mail bag's contents dwelling variously in my home, my office, my backpack, my hotel room, etc. The letter I'm looking at now, from Gentle Reader Rich, originated in Montreal. From there it went to Beverly Hills and then finally made its way to me here in Vancouver.
Rich is asking about choosing a show for which to write a spec script. He is toying with the idea of writing a novelty spec -- an episode of a show like Buffy that is long off the air. The problem, Rich, is that most agents and most shows these days want to read original material -- spec pilots or scripts for short films. Even plays. The primary place for which you'll need scripts for shows that already exist is for the ABC/Disney writing fellowship, and it only accepts scripts for shows currently on the air. So I'm afraid you'd have a tough time finding a reader for your vintage spec.
I recommend you write a fellowship-ready spec if you're at all interested in the program. You mention that you like House but are concerned about your lack of medical knowledge. You might find that this isn't the obstacle that you think it is. You don't need an M.D. to find out everything you need to know about one specific disorder. You might want to start by watching some episodes of those shows that follow real patients with hard-to-diagnose diseases. I'm talking about Diagnosis: Unknown or Mystery Diagnosis. Don't lift the exact story from one of their episodes, but these shows are wonderful for suggesting starting places and possible misleads.
There are other good shows to consider as well. I would think that Mad Men would be a fun choice. Since you only have to please the ABC/Disney readers -- not create a script that will be usable industry-wide -- you can be much more idiosyncratic with your choice of show.
Then, after you've got that done, you should really dive into the world of original material. Be bold, don't make a generic cop show or family show. And don't hold back, hoarding your favorite story until you're in the position to sell it for a thrillion bucks. Put it all out there.
You're reaching for a big prize, use a big reaching thing.
Lunch: mac and cheese from craft services, served piping hot on set. Yum!
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