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Friend-of-the-Blog Jeff Greenstein comments on the last entry. He says: I always pick out a special font for each show and put it (fairly) big on the title page. I’m looking at his most recent pilot script and it’s true. However, his own name appears below the title in 12-point Courier. This seems to me to be a fine compromise — the script looks unique without looking over-puffed.

Jeff also points out the importance of making it clear that a script is, in fact, a pilot (as opposed to a spec feature or a spec episode of an existing show). He does this with the simple subtitle (without quotation marks) “a pilot,” while I do it by listing the name of the episode (with quotation marks) as “Pilot.” They’re both perfectly fine options.

EVEN MORE ON ENTITLEMENT:

I had just completed this post when I got another email from an experienced writer. Friend-of-the-blog Mark Verheiden checks in on the other side! …the first studio script I submitted, I did a title page where I put the title (that’s it) in 16 pt type. The executive practically hurled it in my face. […] I don’t do that anymore.

Fascinating, no? I’m not sure what to advocate anymore! I suggest that this choice should probably be dictated by your own personality and values, and perhaps even the tenor of the script — free-wheeling comedy might allow for looser rules than a restrained drama. If anyone else weighs in, I’ll let you know!